{"id":15,"date":"2018-11-27T09:17:42","date_gmt":"2018-11-27T09:17:42","guid":{"rendered":"http:\/\/trevignanodocstories.org\/projects\/"},"modified":"2025-10-04T23:27:19","modified_gmt":"2025-10-04T23:27:19","slug":"stories-2020","status":"publish","type":"page","link":"https:\/\/trevignanodocstories.org\/en\/stories-2020\/","title":{"rendered":"Edizione 2025"},"content":{"rendered":"
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Terza edizione STORIES 2025 - Dal 07 al 09 novembre 2025
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INDOMITE. STORIE DI DONNE CONTROCORRENTE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Dopo l\u2019edizione dedicata alla natura e quella ai confini che dividono le persone, la terza edizione del Trevignano DocStories<\/strong> racconta storie di donne che sfidano la societ\u00e0 patriarcale<\/strong>.<\/p>

Non vittime, ma protagoniste: figure capaci di trasformare la propria vita e quella di chi le circonda, aprendo la strada a nuovi modi di pensare e di essere.<\/p>

Nove film, in tre giornate di proiezioni pomeridiane e serali, per uno sguardo globale sulla condizione femminile e sull\u2019umanit\u00e0.
Ogni incontro sar\u00e0 accompagnato da un dialogo con registi e protagonisti<\/strong>, per condividere visioni e storie di cambiamento.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Edizione 2025: documentari selezionati<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Io, assistente sessuale di Stefano Ferrari (Italia, Svizzera, 2016)<\/strong><\/p>

L\u2019assistenza sessuale ai ragazzi disabili da parte di donne specializzate \u00e8 certamente una professione particolare, ma per Claire \u00e8 una scelta di vita, insieme a una gamma di attivit\u00e0 creative che vanno dalla pittura alla musica al teatro. E come dice lei, facendo sesso con un disabile si riscopre una sessualit\u00e0 delicata e sensibile che va anche oltre l\u2019approccio spesso predatorio ed egocentrico della sessuali\u00e0 \u201cnormale\u201d.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Rough Aunties di Kim Longinotto (UK, 2008)<\/strong><\/p>

Anche in Sudafrica esistono leggi che proteggono le bambine e i bambini dagli abusi e condannano gli stupratori, ma la polizia spesso non pu\u00f2 o non vuole intervenire. Due donne europee, insieme a una squadra di donne sudafricane, hanno creato un gruppo di intervento che collabora con la polizia per rintracciare i colpevoli e consegnarli alla giustizia, proteggendo e assistendo le giovanissime vittime.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Angels of Sinjar\u00a0 di Hanna Polak (Polonia, 2022)<\/strong><\/p>

Il Sinjar \u00e8 una regione del Curdistan iracheno abitato dagli Yazidi, una etnia che ha subito un atroce genocidio\u00a0 dopo il 2014 da parte dell\u2019Isis, che ha conquistato quelle terre ed ha ridotto in schiavit\u00f9 le donne yazide trasformandole in schiave sessuali, torurandole e massacrandole. Hanifa aveva cinque sorelle, quattro sono statre rapite dall\u2019ISIS e ferocemente torturate. Il loro anziano padre \u00e8 morto per il dolore, ma al suo capezzale Hanifa gli ha promesso di salvarle tutte e riportarle a casa.<\/span><\/p>

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A thousend girls like me di Sahra Mani (Afghanistan-Francia-Paesi Bassi-Svizzera, 2018)<\/strong><\/p>

In Afghanistan non \u00e8 raro che le donne vengano abusate dagli stessi familiari, incluso il padre. Sono esperienze atroci, a cui spesso seguono gravidanze e parti di figli il cui padre \u00e8 anche il nonno, e la cui vita sar\u00e0 sempre segnata da questa violenza. Il sistema giudiziario afghano non fa molto per impedire questi crimini, che quindi restano impuniti, ma Khatera, una delle vittime, ha deciso di ribellarsi, ed \u00e8 stata la prima donna nella storia dell\u2019Iran che ha trascinato suo padre in tribunale.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Radio Kobani di Reber Dosky (Paesi Bassi, 2016)<\/strong><\/p>

Nella Kobane distrutta dalla guerra contro l\u2019Isis restano soprattutto macerie, ma alcune donne, guidate da Dilovan Kiko, dedicano la loro esistenza a riportare nella citt\u00e0 martoriata vita e speranza attraverso le trasmissioni radiofoniche di una emittente creata da loro, Radio Kobani. Attraverso il <\/span>fil rouge<\/span><\/i> di un lungo racconto che Dilovan dedica al suo figlio futuro gli orrori di una strage infinita vengono sublimati dallo sguardo dolce e umano di una madre coraggiosa.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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All the Beauty and the Bloodshed di\u00a0 Laura Poitras (USA, 2022)<\/strong><\/p>

La vita di Nan Goldin si \u00e8 sempre svolta ai confini della \u201cnormalit\u00e0\u201d e delle convenzioni sociali, spesso contro di esse. Ma da una sua particolare dolorosa esperienza, la dipendenza da un oppiaceo prodotto dalla famiglia Sackler che ha prodotto tantissime vittime nel mondo, Nan prende lo spunto per generare una lotta personale che diventa subito politica e sociale, boicottare quella famiglia i cui crimini sono sempre rimasti impuniti. Poco a poco, e sulla spinta della sua protesta, le pi\u00f9 grandi istituzioni culturali nel mondo faranno a meno del supporto della Sackler.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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La scomparsa di mia madre di Beniamino Barrese (Italia, 2019)<\/strong><\/p>

Benedetta Barzini \u00e8 stata una celebre top model italiana nota e acclamata sul piano internazionale. A 75 anni decide di sparire dalla vita pubblica e di \u201critirarsi in un luogo lontano dove scomparire\u201d. Suo figlio, Beniamino Barrese, decide di usare la sua telecamera per creare un\u2019ultimo ritratto di lei, secondo uno stile confezionato e filtrato dalla sensibilit\u00e0 di lui. Ma Benedetta, che ha sempre detto \u201csi\u201d a fotografi e registi, dir\u00e0 \u201cno\u201d alla narrazione\u00a0 di s\u00e9 che il figlio le vorrebbe imporre.<\/span><\/p>

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La combattante di Camille Ponsin (Francia, Belgio, 2022)<\/strong><\/p>

Mari\u00e9-Jos\u00e9 Tubiana, 90 anni, \u00e8 un’etnologa in pensione specializzata in Darfur. Ogni giorno, tra le pareti della sua casa, raccoglie meticolosamente le testimonianze dei rifugiati per autenticare le loro storie sulla base della propria esperienza e completare le loro domande di asilo. Nonostante l’et\u00e0, mette a frutto le sue conoscenze etnografiche e una vita di ricerca nella sua lotta. La lotta di una vita dedicata agli altri.<\/span><\/p>

In collaborazione con Institut Fran\u00e7ais IF Cin\u00e9ma e IF Centre Saint-Louis<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The Cave di Feras Fayyad (USA, Danimarca, Germania, 2019)<\/strong><\/p>

The Cave \u00e8 un ospedale siriano guidato dalla dottoressa Amani Ballour. \u00c8 sotterraneo e per questo unico e ultimo baluardo di speranza per una popolazione martoriata da bombardamenti e attacchi chimici.\u00a0Il documentario \u00e8 una toccante storia di mutuo soccorso e sopravvivenza in un ospedale di guerra atipico, dove al posto dei soldati vediamo bambini, donne, civili disarmati. Una struttura bunker da proteggere a tutti i costi, mentre le riprese via drone ci consegnano la verit\u00e0 di una Siria devastata e sventrata. Fuori non c’\u00e8 pi\u00f9 niente, dentro le provviste scarseggiano, cos\u00ec come i medicinali, gli anestetici, il cibo.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ghost Fleet di Shannon Service e Jeffrey Waldron (USA, 2018)<\/strong><\/p>

Ogni anno, decine di migliaia di pescherecci thailandesi non rintracciabili solcano il mare: ci sono capitani che acquistano degli schiavi come equipaggio e li costringono a lavorare per anni per soddisfare l’insaziabile appetito di pesce del mondo. Questa \u00e8 la storia di una donna thailandese che, insieme ad altri attivisti, rischia la vita per aiutare a liberare i pescatori schiavizzati, uomini fantasma su navi fantasma, svelando una devastante e corrotta cospirazione criminale al centro dell’industria ittica. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Seconda Edizione Stories 2023 – Dal 02 al 05 novembre 2023<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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CONFINI: STORIE DI UMANIT\u00c0\u00a0INTERROTTA<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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EDIZIONE 2023: DOCUMENTARI SELEZIONATI<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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I didn’t crossed the border,\u00a0<\/strong>the border crossed me\u00a0
<\/strong>di\u00a0Toma Chagelishvili
<\/span><\/strong> (<\/span>Georgia, 2016, 75′)<\/strong><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Ll\u00e9vate mis amores
<\/strong>di Arturo Gonz\u00e1lez Villase\u00f1or
<\/strong>(Messico, 2014, 87\u2019)<\/strong><\/h5>

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This way up
<\/strong>di Georgi Lazarevski\u00a0
<\/strong>(Francia, 2007, 60′)<\/strong><\/h5>

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Hamada
<\/strong>di Eloy Dominguez Ser\u00e9n
<\/strong>(Francia, 2018, 88′)<\/strong><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Shadow game
<\/strong>di Eefje Blankevoort e Els van Driel
<\/strong>(Olanda, 2021, 90\u2019)<\/strong><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Exposure
<\/strong>di Holly Morris
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Five Broken Cameras di Emad Burnat e\u00a0<\/span><\/span>Guy Davidi (Palestina, Israele, 2011)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Io sto con la sposa\u00a0
<\/strong>di Antonio Augugliaro, Gabriele del Grande, Khaled Soliman Al Nassiry
<\/strong>(Italia\/Palestina, 2014, 89\u2019)<\/strong><\/h5>

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Un mondo perfetto
<\/strong>di Diego D\u2019Innocenzo e Marco Leopardi
<\/strong>(Italia, 2006, 70\u2019)<\/strong><\/h5>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Midnight Traveler
<\/strong>di Hassan Fazili\u00a0
<\/strong>(Stati Uniti, Qatar, Canada, Regno Unito, 2019, 86\u2019)<\/strong><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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CORTOMETRAGGI<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Walls Cannot Keep Us From Flying
<\/strong>di Jonathan Mehring\u00a0<\/strong>(USA, 2021)<\/strong><\/h5>

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Why<\/strong> a Designer Turned the U.S.-Mexico Border Into an Art Installation
<\/b>di Merete Mueller <\/strong>(USA, 2019)<\/strong><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Made For Walking\u00a0
<\/b>\u00a0di H\u00e9l\u00e8ne Baillot & Rapha\u00ebl Botiveau Vosten\u00a0(Francia, 2020)<\/span><\/strong><\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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EDIZIONE 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Prima Edizione Stories 2021 - Dal 11 al 14 novembre 2021<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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HUMANS AND NATURE: \nSTORIES OF ROBBERY AND RESILIENCE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Never as in these times can we grasp how interconnected our planet is, and how much an\ninvisible network\u00a0unites every form of life. Trevignano DocStories puts the conflicts that undermine the delicate balance between man and nature in the center of its First Edition.\u00a0<\/span>It focuses on the clash between\ndevelopment in the name of global well-being\u00a0<\/span>, and the rights of local communities that are the first\u00a0<\/span>ones to pay the price. By widening our perspective, we can understand that the\u00a0<\/span>consequences will fall on all of us at a very high cost.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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2021 EDITION: DOCUMENTARY SELECTION <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Honeyland (Macedonia, 84′, 2019)<\/strong>\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Thank you for the rain (Danimarca, 87′, 2017)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dusk Chorus (Italia, 62′, 2016)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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How to change the world (GB, 112′, 2015)<\/strong><\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The great green wall (GB, 91′, 2019)<\/strong><\/p>

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Up the Yangtze (Canada\/Cina, 93′, 2009)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The Cove (USA, 92′ 2010)<\/span><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Chasing the Thunder (USA, 96′, 2018)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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When two worlds collide (Per\u00f9, USA, Regno Unito, 96′, 2017)<\/span><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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In the realm of the spider tailed viper (Iran, 40′, 2018)<\/strong><\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Terza edizione STORIES 2025 – Dal 07 al 09 novembre 2025 INDOMITE. STORIE DI DONNE CONTROCORRENTE Dopo l\u2019edizione dedicata alla natura e quella ai confini che dividono le persone, la terza edizione del Trevignano DocStories racconta storie di donne che sfidano la societ\u00e0 patriarcale. Non vittime, ma protagoniste: figure capaci di trasformare la propria vita …<\/p>\n

Edizione 2025<\/span> Read More »<\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/trevignanodocstories.org\/en\/wp-json\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/trevignanodocstories.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/trevignanodocstories.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/trevignanodocstories.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/trevignanodocstories.org\/en\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":179,"href":"https:\/\/trevignanodocstories.org\/en\/wp-json\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":1533,"href":"https:\/\/trevignanodocstories.org\/en\/wp-json\/wp\/v2\/pages\/15\/revisions\/1533"}],"wp:attachment":[{"href":"https:\/\/trevignanodocstories.org\/en\/wp-json\/wp\/v2\/media?parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}